![]() The Nativity moves from God creating the universe to the birth of Christ, The Passion portrays Christ’s life and death and Doomsday details the God’s disappointment with man and the Last Judgment. ![]() The mystery plays are based on Christian bible stories. Director Bill Bryden has said that, ‘… The Mysteries were made not only by myself, but with Tony Harrison…William Dudley…and John Tams…’ (Bryden, 2009, pt. The collaborators appear to have been a tightly knit group. They were directed by Bill Bryden, designed by William Dudley, and music was created by John Tams and The Home Service. Each play, taking place in the Cottesloe Theatre at the National Theatre, lasted between two and two and a half hours. The three plays that make up The Mysteries – The Nativity, The Passion, Doomsday) – were created between 19 and remounted in 1999. What they design can add layers of meaning, or a lens through which to view the words and actions being performed.Įnglish medieval mystery plays, notably the York and Wakefield cycles, were made into new versions by the production team, the actors, and writer Tony Harrison. They help to orchestrate how the source material is presented in performance, how it is framed – conceptually, ideologically, structurally or physically. They will assess the structure and composition of what they are designing and what it might communicate to the audience in combination with everything else that is being contributed, such as the acting, directing, lighting, sound and so on. A theatre performance is a sensory experience involving vision, sound, light, texture, time, movement and space, all of which a designer needs to consider. During the design process the designer will be constantly moving between being absorbed in the creative process and being critical assessing, judging and adjusting their designs in relation to what the aims of the production are, and what else is being contributed by their collaborators. More information is available through our Visitor Info page.The theatre designer’s process can be compared to that of a painter who moves between working on their painting and standing back to view it from a distance. We encourage you to plan ahead and give yourself extra time if you are thinking of driving or parking. The closest subway stop is Museum Station.Please visit TTC Service advisories for posted interruptions to TTC service. ![]() Please visit the Parking Services website for more information about parking on the U of T campus.The closest parking to the Theatre is a 6-minute walk away.Hart House Circle from the Wellesley St underpass is closed to vehicles.Both drop off locations have ramp access to the elevator on the first floor of Hart House which leads down to the Theatre by hitting the (T) button.Please note – there is no roundabout for vehicles on Tower Road.An alternative drop off is the Hoskin Avenue/Tower Road intersection.It is recommended that if you are arriving by car/Uber/Taxi you are picked up and dropped off in the 18 Queens Park Crescent West Loading Dock, where there is roundabout access.Due to ongoing construction as part of the U of T Landmark project, there is no parking in the immediate vicinity.
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